Tuesdays at Curley's

Welcome to PoemAlley, Stamford, Connecticut's eclectic venue for poets, poetry reading and discussion! Open to anyone living in Fairfield County and the surrounding area, we meet Tuesday nights at 7:30 pm at Curley's Diner on 62 Park Place (behind Target) . Come contribute, get something to eat, or simply listen!



Showing posts with label Richard Duffee. Show all posts
Showing posts with label Richard Duffee. Show all posts

Dec 21, 2020

The Savoring Of Words and Wine: Remembering Jane Weston

Jane  with PA member Cora Santaguida
Following a protracted illness, venerated PoemAlley member Jane Weston passed away last Tuesday at the age of 92. She will be greatly missed.

Usually from the favorite vantage of a corner booth shared with her friend Norm Heller, Jane was known to the group meeting weekly at Curley's Diner and returning guest poets for her sprightly smile and well-observed feedback, imparted over a glass of wine. 

While not a poet, herself, Jane was especially valued as an island of serenity when the stream of conversation got occasionally heated in response to themes raised by a particular piece of writing.

Jane was also active in the Green Party, having run for public office in Fairfield County several times, including Registrar of Voters in Weston and as Judge of Probate in Stamford (winning 11 percent of the vote). In addition, she served two terms as Co-Chair of the Green Party of Connecticut.

Services are tentatively planned for this coming Saturday or Sunday at Lacerenza Funeral Home at 8 Schuyler Avenue in Stamford; Zoom access will be provided online for those unable to attend. Friend and fellow PA member Richard Duffee, who is Jane's conservator, can be reached at 203-278-4013 for further details.

Apr 27, 2017

Writing For Democracy This Evening In Norwalk


Laurel Peterson
A movement that started on Martin Luther King, Jr.’s birthday this year, involving writers from across the country to “re-inaugurate” democracy, continues today in a three-hour program at Norwalk Community College.

Writers Resist at NCC is organized by Norwalk’s Poet Laureate Laurel Peterson and NCC professors Rebecca Hussey and Hannah Moeckel-Rieke, featuring area authors reading from their own works, or that of other admired writers who have something significant to say about the preciousness of open society and its sustenance.
 
Hannah Moeckel-Rieke
Drawing on the voices and writings of close to thirty participants, this program will include NCC President Dr. David Levinson, CT Poet Laureate Rennie McQuilkin, novelist Joanne Dobson (author of the Professor Karen Pelletier mystery series),  Santia Rene, Editor of Musings, as well as PoemAlley members Ralph Nazareth, Susan Cossette Eng (Peggy Sue Messed Up… and Other Poems [Princess Press, 2017]), Dr. Marianela Medrano and  Richard Duffee (The Slow News ofNeed [Yuganta Press, 2008]).
 
Rennie McQuilkin
In a time of growing anti-intellectualism and multi-media distraction masquerading as social discourse, Ralph makes a pointed defense in this 2009 Bent Pin interview for the invaluable necessity of poetry as a reflective and inescapably empathetic means to delve into the heart of that which affects our lives, those of others, our society and our world:


The readings will be broken up with musical interludes provided by Greg and Madeleine Golda.

Our democracy is at risk. Growing public cynicism and an alarming disdain for truth is eroding our most dearly-held democratic ideals. As writers we have tremendous power to bypass empty political discourse and focus public attention on the ideals of a free, just, and compassionate society. 

The event is free and open to the public. All are welcome. 

Where:
Norwalk Community College
East Campus Atrium
188 Richards Avenue 
Norwalk, CT

When:
4:00-7:00
Thursday, April 27th, 2017

Contact:
203-857-7000

Jun 9, 2015

The Collaborative Side Of Verse

Tonight, Richard Duffee will be leading a discussion on haiku and Matsuo Bashoo, the acclaimed Japanese seventeenth-century poet who first developed the poetry form between 1662 and 1694.

Richard will explain how it evolved from the structure of the Japanese language (including earlier Japanese and Chinese forms) and, via examination of 32 examples, how haiku’s meaning is highly dependent on various facets of Japanese life, such as the self-reflective bent of Buddhist philosophy and the inclusive animism of Shintoism—two existential perspectives Bashoo was uniquely adept at combining.

Most prominent in the 1670s, Bashoo taught poetry and founded a tradition of literary criticism while writing haiku and populist, yet contemplative, nature-themed travel diaries incorporating it, for which he is most cherished to this day (much like Thoreau or Woody Guthrie in the United States). The most renowned poet of the country’s economically- and artistically robust Edo period, Bashoo has remained Japan’s national poet since about 1685.      

As Japanese is a much more an allusive language than the more literal English, the 17-syllable structure of haiku of three lines in a 5-7-5 distribution embodies an intimate, collaborative pattern of expression particular to its language and society of origin, fostering an especially personal sense of connection with the poet.

A faithful contributor to PoemAlley for many years, Richard is the author of The Slow News of Need (available at the bottom of the blog though Yuganta Press) and has run several times for office with the Green Party of Connecticut, including twice for Congress in the 4th district (click here for a clip from a debate with Christopher Shays in 2006).

Currently, he focuses on matters of legal redress as a committee chairperson with the Stamford NAACP. Find out more about Richard and his own writing here and here.

Dec 7, 2014

Economic Justice & The Universality Of Heartache

At different times over the years serving as a lawyer, teacher and political candidate--while consistently throughout a writer and social justice activist, Richard Duffee returns to Barnes & Noble’s Open Mic as tomorrow night’s featured reader.

Sao Paulo, Brazil, 2014
Ferguson, MO, 2014
Richard’s past residence and travels in India, Nepal and numerous other countries lends universal texture to his poetry, satires, commentaries and critiques, which frequently reveal the personal heartache when the forces of culture, social policy and economics collide with human need, rights and aspirations.

The Barnes & Noble Open Mic poetry program meets the second Monday of each month in the cookbook section on the main floor of the bookstore (located in the Stamford Town Center), now beginning at 7:15 p.m.


Watertown, MA, 2013
For more information, contact:

Barnes & Noble
100 Greyrock Place, Suite H009
Stamford, CT 06901

 203-323-1248

Feb 10, 2014

The "Socially-Acceptable Insanity" Of Being In Love... With Someone Else's Idea Of It

Richard Duffee
In the first of two provocative area presentations this week in response to Valentine’s Day, Hello, I Love You, Won’t You Tell Me Your Name? will plumb the Crusades, church/state relations, Islamic poetry, women's rights and other topics when Richard Duffee shares his research and conclusions at Curly’s tomorrow night at 7:30 regarding the origins of the wildly impossible conception of romantic love, incorporated as part of modern industrial life.
A PoemAlley fixture, egalitarian analyst of social power and author (The Slow News of Need, available from the “Collections and Anthologies” section below), Richard elaborates: “The shocking thing about Western love poetry is that the tradition does not assume one needs to know anything about the recipient of one's affections in order for one's claims to love to be credible. It's difficult to realize how weird this is because it's a feature of the cultural landscape that's been around for 900 years.” 
Because the output of Medieval troubadours and trobairitz (female troubadours) reflected their own romantic conceptions, as opposed to actual people, this helped set the stage, along with numerous intertwined social influences, for the senhalic, or fill-in-the-blank, adaptability of, well, affected affections as purveyed by today’s “sentiment-industrial complex” of greeting cards, candy, door-stopper-grade bridal magazines and wedding planning consultancies.
As for Tinsletown’s generous contributions, Spike Jonze’s Her (Warner Bros./Annapurna Pictures, 2013) makes a strikingly insightful break from this cheapening fixation in its portrayal of an emotionally hollowed-out divorcee’s romance with a self-learning computer program, set against a day-after-tomorrow Los Angeles which is, appropriately, Hallmark Card-cozy, while stringent in its devotion to socially-received (as opposed to individual) relational expectations:

Ingrid Burrington
Also surveying the urban crossroads of devotion and the digital, New York artist Ingrid Burrington’s pre-Valentine’s Day talk Connection Over Missed Connections at Franklin Street Works will scrutinize romantic longing across various cities as mapped out through a leading Franklin Street Works online classifieds hub. “Analysis of Craigslist Missed Connections postings and communities,” notes Ingrid of her show Taxonomy of Missed Connections, “offers a glimpse into the loneliness and sexual tension that serve as the linchpin of any thriving metropolitan environment.”

Part of FSW’s Neuromast: Certain Uncertainty and Contemporary Art exhibition, Taxonomy of Missed Connections is also a component of Ingrid’s Center for Missed Connections project and its mission to encourage a collective embrace of loneliness, both poetic and banal, within public spaces.
Find out more about Ingrid at her website, lifewinning.com. A free exhibition, Neuromast is curated by Taliesen Gilkes-Bower and FSW Creative Director Terri C Smith and will be on view through March 9.
When:
Thursday, February 13, 2014
6:30-8:00 PM

Joaquin Phoenix in "Her"
Where:
Franklin Street Works
41 Franklin Street
Stamford, CT 06901
(Light snacks and a signature holiday drink to be served)
Phone/e-mail:
203-595-5211

Nov 11, 2013

The Lure Of Black Friday, The Blackening Of Hearts

Fresh from his latest run for office with the Green Party of Connecticut, Richard Duffee brings to this evening's Barnes and Noble’s Open Mic program a mix of whimsical wordplay, intriguing dream-inspired writing and unflinching dissections into the irrational, yet oddly enthralling, priorities that keep us in the mutual death grip of exploitation and inequality.

In particular, when forced recently to crash a candidate forum at the Yerwood Center in order to debate five other candidates for the Board of Education, the profound association between Richard’s political insight and this latter aspect of his creative ouvre was made clear.

While others spoke in customary itemized fashion regarding budgetary, facilities allocation and other issues, Richard’s responses, as with the first volume of his cross-cultural/cross-time passages in The Slow News of Need (2008, see "Collections and Anthologies" section below), suggested an integrated and fundamental approach that subtly questioned the self-limiting assumptions implicit in the very questions posed by the representative from the Stamford Parent Teacher Council.

Rather than favoring a tony quick-fix to bullying or anxiety (like fitting student cell phones with a special teen help-line “app”), Richard proposed constructive departures from the conflict and competitive fallout associated with youth “snitch” culture that would generate so much misery to begin with, learned from his involvement in the Quaker Alternatives to Violence Project, during his years of creative writing and legal justice instruction in youth and adult detention settings in the Northeast.

With each new sermon from his satirically-charged series, “The Unified High Church of Money”—a popular and highly participatory staple at PoemAlley—Richard further explicates what he’s observed from many years in India and other countries on how the roots of the dysfunction and suffering in human affairs at all levels and ages originates with the conflicting roles we are conditioned to play from the personal, economic, social and political dimensions as members of society. Tonight being three weeks out from “Black Friday”, the example below is especially appropriate:

Liturgy #2: On Meaning
Priest: Oh, my children, I heard a horrible complaint is circulating among you. It grieves my heart to hear it.
Congregation: What is it, Father? You know we hate to see you in pain.
P: I can hardly bear to speak it, it is so foul, so over-the-top, so unworthy of you.
C: Tell us, let us bear the burden with you.
P: I’m not sure I should, Children. After all, it may only be a few of you, a few possessed by some demon, a few who are so misguided.
C: Tell us, Father, we’ll take care of them. People like that, if we see them, well, you know what we do [drawing their fingers across their throats.]
P: All right, all right, I will entrust you with it.
C: Please, Father, we hate to see you suffer.
P: I’m sure it must only be a few of you, maybe even only those of you who do not attend the services regularly, maybe even only parishioners who are not here in person today.
C: It’s all right, Father, whoever it is, we’ll deal with them.
P: Well, children, this complaint is of lack of meaning.
[A hush falls on the cathedral. Then, out of the silence:]
Parishioner: Lack of meaning? Whatever can that mean? How can someone lack meaning?
P: I have been pondering just that. Why, when there is meaning everywhere, how can someone lack it?
C: Yes, Father, explain to us.
P: I was as shocked as you, Children. I went into the holy vault to meditate. There I listened quietly to Money.
C: What did it say, Father?
P: It said, “Meaning? I give you all the meaning you will ever need. Look at all you can sell!”
C: Yes, that’s it! Of course!
P: That’s what I heard. It said, “Every exchange is meaningful. Don’t your customers find meaning in what they buy?”
C: “We do, we do!”
P: Every exchange is meaningful. Think of the joy of buying jewels! The joy of buying stocks and futures, the joy of derivatives! Do these people mean to say they do not want to give others this joy?”
C: Who are they? Tell us who they are, these selfish bastards!”
P: Oh, please, Children, let us not talk that way in this holy place. Never should those two words be joined.
C: Sorry, Father, sorry.
P: There are people who do not want to sell. But just think, if no one sells, no one can buy! And then no wonder they have no meaning!”
C: How can they be so stupid, Father?
P: This is what I went to the holy vault to understand. And the vault said, “I give you meaning every minute! Here, you want meaning? Do I not give you everything in Macy’s to sell and buy? And what of Sears? Of Walmart? Why look at Lord and Taylor! You want meaning? Look at any convenience store? What do you see there but a thousand things that people seek, all the things that fill their lives—the Coca Colas, the Cap’n Crunch, the T-shirts, the gas additives! There’s meaning everywhere!
C: Tell us where, Father!
P: Why look at any country. Say you’re in Colombia. We give you your flag, your national animal, your national song, everything you desire! Or say you’re in Singapore. We ship you things from all around the world so you can add value to them and ship them back. Meaning, meaning everywhere, in everything you touch!
A hundred years ago where was there meaning in Singapore? Now it has camera parts, computer modules, woofers and tweeters everywhere!
C: How ungrateful these people must be!
P: Yes, they can’t see what’s in front of their faces! They cannot see the joy of things!
C: They have no hearts!
P: Exactly! And we give them everything! With just a little loyalty and honesty and a little work, they can sell whatever they want! Freedom and plenty! They can sell whatever can be bought from us! And they can buy and buy! Buy anything we sell!
C: A cornucopia of plenty!
P: Yes, an endless vault! Endless and infinite! Let us pray.
C: Dear Father, let us have all the goods we can earn.
P: Yes, dear Children, and we’ll give you all the credit you can carry, and even more at times.
C: Thank you, Father, thank you.
P: Go in peace, my Children, but forget not to compete. Remember, you must earn. Only if each of us earns can others earn, and only if each of us earns can we buy. Go thou then and buy. Go forth to earn and buy. There is thy meaning.                                         

Material from “The Unified High Church of Money” is currently being adapted into a stage production by local architectural preservationist and Loft Artists Association member, Renee Kahn.

Check out Richard’s thoughts, videos, writing (including such essays as “The Common Sense of the Right to Live in the Age of Weapons of Mass Destruction” and “The Outlines of Joyce's Perception of Social Power”, as well as information on past political activities at his website www.richardduffee.com.



Hosted by Frank Chambers and PoemAlley's Nick Miele, the Barnes & Noble's Open Mic Poetry program meets the second Monday of each month in the cookbook section on the main floor of the bookstore (located in the Stamford Down Center), beginning at 7:15 p.m.
  
For more information, contact:

Barnes & Noble
100 Greyrock Place Suite H009
Stamford, CT 06901

203-323-1248

Jun 14, 2013

"A Wilderness Of Tigers": The Core of Imperial Ethics

Note: this critique from March by Richard Duffee originally ran on the site of the American-Iranian Friendship Committee. Zero Dark Thirty is currently available on DVD. In light of the accumulated testimonies of Bradley Manning (U.S. Army, pfc), Edward Snowden (NSA contractor) and, in particular, John Kiriakou (see videos at the end of this post) regarding the CIA’s torture activities, it’s vital to dissect the differences between why these insiders acted as they did in defiance of the unforgiving hierarchies of which they were a part and how Zero Dark, Argo, Olympus Has Fallen and similar hyper-nationalistic fare rationalize for the rest of us support of the practices/policies they exposed—not to mention what it says about our society if it proves itself unworthy of their sacrifices in defense of truth and humanity.

I saw Zero Dark Thirty yesterday. The film reveals the heart of what our imperialist government likes to think of as its ethical system. The system is so simple it’s terrifying. It has two parts: 1) obey your superiors and 2) tell the truth to them. If you do those two things, you are supposed to be entitled to honor and to feel your purpose in life is fulfilled.

The film’s website, www.zerodarkthirty-movie.com and the other sites on Google will tell you loads I don’t need to bother with. The heroine, Maya, (Jessica Chastain) joins the CIA and arrives in Pakistan with the job of finding bin Laden and having him killed. More than 80% of the film follows her activities. She’s like Clarisse Sterling but her relationship to bureaucrats is portrayed as if it were more like Rambo’s: she cares much more about finding bin Laden than anyone else does and has to take extreme measures to get bureaucrats to act.  Enough basic plot.

What Circumstances are Supposed to Make Torture Ethical?
I’m interested in the portrayal of ethics. First, the CIA thinks torture is OK because it is supposed to be necessary. Necessary for what? To pump information out of Al- Qaeda guys. Why is that necessary? 9/11. But why did Al-Qaeda destroy the World Trade Center (assuming it did)? Not one word. Did 9/11 have anything to do with US support for Israel and its treatment of Palestine? With covertly driving the USSR out of Afghanistan? With
backing the Saudis? With our backing Iraq’s attack on Iran? With our efforts to control oil
Lynndie England holding a leash to a
prisoner at Abu Ghraib, Iraq, 2004
and keep its price down while selling it for enormous profits? With our installing and keeping dictators all through the Middle East? With our refusing to pay our share of the UN’s expenditures? With our blocking the Law of the Sea’s provisions for technology transfer? With our refusal to sign crucial international human rights treaties? With our refusal to sign on to the International Criminal Court but instead to treat international crimes as cause for war? Not one word.

What does “Might Makes Right” Mean?
Would changing any of those things have prevented 9/11? Not one word. The assumption is that we need oil and power and so we have the right to occupy the Middle East, to dominate the economics and politics of the region, and, if that’s not enough, to kill and steal. Might is supposed to make right: the standard doctrine of Machiavelli and Fascists. What does “might makes right” actually mean? Really, that there is no such thing as “right”: what people call “right” is only what the most powerful say right is—in their own interests—and the rest of us just repeat their nonsense because we’re terrified not to. Greed and the lust for power are presumed to be sacred, so if pursuing them gets you into a position where, to continue on your path, you have to torture, murder, and steal, that’s understandable, so torture, murder, and theft are OK so long they’re approved from above. Being approved from above is all that counts. Of course, the people at the very top may arrange “plausible deniability” for themselves because it’s OK if their underlings are fired or jailed, but not them. It’s OK for the people at the top to be liars and cowards. They’re too big to allowed to fail.

What Bothers the System about Torture?
Torture, the characters admit, has two problems. A) It shouldn’t be publicized. Sooner or later it’s going to get out, and you don’t want to be the one holding the bag when it does. B) It wears the torturers out. Dan (Jason Clarke), the torturer-in-chief, tells Maya he wants to leave because he’s “seen” a hundred naked men now, a euphemism meaning he has stripped them to exhibit their pricks and balls to women, the best way to humiliate a Muslim man—so
Explaining her participation with Charles Graner in
torture and humiliation of prisoners, England said in
Der Stern interview: "I didn't want to lose him."
that, his dignity gone, he’ll spill the beans. (This is more effective than agony and the threat of death—the facing of which, of course, never results in Muslim men being given any credit for courage. It’s just a problem for poor Dan; after all, he has a PhD, so he must be sensitive, right? But it doesn’t seem to be a problem for Maya: just after we’re introduced to her, we’re informed, “Washington says she’s a real killer.” A point for Women’s Lib, right? So when you look at torture in the film’s context, its drawbacks are supposed to be pretty small.

How the System Handles its Problems with Torture
Again, being approved from above is what counts. Those above you can handle both problems. A) They can keep everything secret, or they can let the press in—as Bush did when he “outed” Valerie Plame to punish her husband. One’s superiors have a wide range of latitude in this, but not quite wide enough for them: folks like Bradley Manning
and Julian Assange can infringe on their privileges, so they should get the worst possible punishment. B) Torturers and killers can get worn down. The SS got worn down shooting Jews, piling them in pits, and burning them, so crematoria had to be built in concentration camps. Dan’s superiors know perfectly well he’s a competent torturer, so the blame isn’t going to fall on him. Either some adequate replacement for him will be found or some other method will have to be devised. Another occasion for Yankee ingenuity. Worthy of Krupp.

Other Approved Activities
Charles “Look-what-I-made-Lynn-
die-do!” Graner, England's superior
officer and lover while at Abu Ghraib 
What is approved besides torture? Affairs, for instance. Maya’s one on-the-scene female superior recommends she have a fling with Dan. That would be good for her. Just a fling, of course. Maya has a prior commitment: she’s adopted the project of finding and killing Bin Laden. Nothing can trump that. In fact, the problem with Maya’s associates may be that they allow other commitments and interests in life to interfere with their primary commitment in some way, but not Maya. She is the perfect CIA agent, absolutely single-minded. For the ideal agent, the rest of life is not really supposed to count. Maya doesn’t let it. An affair may be all right, but it’s not the best. The best is killing Bin Laden.  

Since “Might Makes Right” Approval Creates “Morality”
Being approved from above is what makes something moral. You obey. Of course, if you don’t obey, you lose your job. That’s a given. It could be worse, and it might be, but we’re not shown that. All the characters we’re shown obey. Sometimes they have to be threatened into obeying. Maya realizes that to get things done, she sometimes has to threaten to report her immediate superiors to their superiors. She’s skilled at this. She knows just how aggressive she can afford to get under different circumstances. She knows when she has winning cards and how to get her immediate superiors to recognize that she does.

What Creates Credibility with Superiors

The most telling scene is the day the CIA Director (James Gandolfini) shows up. He asks everyone the likelihood that Bin Laden is actually in the compound. Most say 60%. Maya says, “100%, but since you guys don’t like certainty, 95%, but really it’s 100%.” The Director is intrigued, so he approaches her in the cafeteria and asks, “How long have you been in the CIA?” She says, “Eleven years.” He asks, “Besides chasing Bin Laden, what else have you done for us?” She says, “Nothing.” She’s passed the test. In her own case, when it counts, she’s honest. He figures if she’ll answer that honestly when the chips are down—when she knows that what is at stake is whether the Director is going to recommend that the President have the compound attacked—as well as whether she be promoted, demoted, or fired—he can afford to trust her judgment despite the fact that it looks like hubris.

The Moral Toll on the Servants of the Assassination System
In the final scene, Maya gets on a huge transport. The pilot says, “You must be awfully important. You’re the only item on the manifest. Where do you want to go?” She doesn’t answer: she’s too exhausted to know where she wants to go. For eleven years she has thought of nothing but killing Bin Laden. She has to start life over and doesn’t have a clue. A single tear slides down her cheek.       

The Underlying Questions
Now the real questions start. What does it mean that all that matters is that one obeys one’s superior and tells him the truth?

Who does one’s Superior Actually Represent?
The Director of the CIA reports to the President. Is the President one’s ultimate superior? This, of course, is what everyone in the government is supposed to believe. They are all supposed to believe it because, more than anyone else, the President is supposed to represent the majority of “the people.” But does he actually represent the people? Let’s count some of the equivocations. 1) If the election was honest, 2) he may represent the majority of those who voted, but that’s not the majority of the electorate. 3) The majority of the electorate is not the majority of the people. 4) The vast majority of those who voted took only two candidates seriously. 5) They thought the sole significant act they had in the choice was to vote down one pre-chosen candidate by voting for the other. 6) The choices were made by the duopoly, the Republicrats. 7) The leadership of the Republicans now has positions Barry Goldwater held in 1964. The leadership of the Democrats has domestic positions to the right of Nixon’s and Rockefeller’s. 8) Both parties are flooded with money the Supreme Court allows to come from anywhere unreported and unchecked, so that the rich control both candidates. 9) 1% of the people have 41% of the wealth, 2% have 50%, while 40% have 0.3%. The wealth of 2%, being equal to everyone else’s together, is at the disposal of the rich while most of the wealth of the rest of us is committed in some way to enabling us to survive. It is not possible for 98% of us—even if we all agreed—to outspend 2% on politics. 10) The result: the President is dependent on the money of 2% of us. He knows it. About all of this, of course, not one word.


Let’s assume the President represents an oligarchy of 2% of us. Lots of scholars who study power closely argue for a much smaller figure, often between 200 and 1500 people. But no matter whether the figure is as large as 6 million or as small as 200, the essential problem remains a problem of human time.

Assume the largest plausible figure, 2%, since 2% have as much as the rest of us, and so have the power to hire the rest of us to do their will, or else marginalize us so we can do virtually nothing at all. If it’s 2%, the question is “How can 1 person control 49?” One person can’t watch everything 49 do. The only way to manage so many people is to choose a couple of people to manage a few more people and get those to manage a larger group. What is crucial in this system of domination? Loyalty. The people on top cannot make the decisions that will keep them on top without accurate information.  And they can’t get people to follow their decisions unless the followers obey. Those are exactly the two “ethical” issues over and over in Zero Dark Thirty: obedience and truthfulness to one’s superior.

So what does this “ethical system” boil down to?
Being the best servant to one’s superior. You don’t have to be good to anyone else. No one else counts, just one’s superior—plus, of course, whomever one’s superior wants to protect. That is the ethic the rich and powerful have to inculcate in their underlings in order to run the world.

The Problem of Maintaining Such a System
For the maintenance of the system, the problem is: “How do you convince the servants of the system that they are gaining honor and fulfilling their purpose in life by being servile? For they are servile. They are only truthful with their superiors and the people their superiors allow them to be truthful with. They stonewall everyone else, or they lie. And they force their rule on people to whom it is entirely alien: over and over again, Dan tells Ammar, (Reda Kateb), the man he waterboards, “Whenever you lie to me, I hurt you.” He tells
Ammar, “I own you”: that is, in Ammar’s case, Dan understands perfectly well that the relationship he is acting out is one of slavery. Dan just can think the same thought about himself; he can’t allow himself to think that the reason he outrages prisoners is that he is a slave to his superior, but his slavery is, supposedly, chosen, so he doesn’t call it that.

The difference is involuntary slavery versus voluntary slavery. Dan is allowed to say showing off the “stuff” of a hundred naked men is enough but Ammar can only say “enough” by betraying his own superiors, friends, associates, and family. Dan’s slavery is supposed to be dignified because he chose it, while Ammar’s is supposed to be degrading because he didn’t. This is the real reason Dan needs a break: the more extreme the polarities of power, the harder it is to keep the double standard.

The System’s Real Problem with Torture Cannot be Mentioned within the System
Ultimately the problem with torture is that it threatens Dan’s hypocrisy. We see this in the scene in which Dan finds that his monkeys have been killed. He wanted to treat his monkeys kindly. He wanted SOMETHING he could be kind to so that he wouldn’t be totally reduced to being the transmission belt between the absolute domination of his superiors and the absolute humiliation of his prisoner.

And this too is the meaning of Maya’s single tear. What has she given up to kill Bin Laden? For eleven years she has failed to be a human being.

Of course by far the greater suffering is that of those we conquer and force to betray themselves. But there’s also a cost to the conquerors. It’s in her tear.

“Maya” means “illusion.” She’s given her life to inhuman illusions of empire, the illusion that mere power is authority, the illusion that conceals the mortality of all of us.

--Richard Duffee 3/16/2013


______
Meanwhile, in the real world...