Tuesdays at Curley's

Welcome to PoemAlley, Stamford, Connecticut's eclectic venue for poets, poetry reading and discussion! Open to anyone living in Fairfield County and the surrounding area, we meet Tuesday nights at 7:30 pm at Curley's Diner on 62 Park Place (behind Target) . Come contribute, get something to eat, or simply listen!



Showing posts with label Miele. Show all posts
Showing posts with label Miele. Show all posts

Oct 6, 2013

Casting Out Satan From The Mills—And The Hypo

A resident of England since 1971, where she maintains a homeopathic practice and serves as guardian of a local labyrinth and Sacred Circle, Connecticut native Kaaren Whitney returns to Stamford Monday night, October 14. as featured poet at Barnes & Noble’s Open Mic.
Besides contributing work to Painting to Poem (2006), A Book of Graces (2009) and numerous anthologies, Kaaren has read at the Halesworth Fringe Festival and open mic events around the world. A commended winner of the Fakenham Poetry Competition in 2008, Karen maintains an active online presence in the UK, including a blog for Poetry Aloud and frequent contributions to the webzine Ink, Sweat and Tears. Kaaren is also a member of the Suffolk Poetry Society.
While much of her writing is known for its focus on nature (see past postings here and here),the full continuum of her work and activities as poet, healer/health freedom activist (see her Facebook link in support of vilified vaccine researcher Andrew Wakefield) and metaphoric observer show that no matter how much we might let ourselves be lulled by the abundant wares and ways of mass industrial production, the transition from mere existence to true thriving depends on embracing the link between our experience as individual human beings and the living environment in which humanity evolved.

In its multi-layered meditation of a man atop a ladder restoring the thatch roof of a simple dwelling and the Gaia-centric purpose to which he would put it, Kaaren’s 2011 poem “Balance” builds on the anthropologically-themed “And They Made Tools” (see below), a 2009 ekphrastic piece derived from a John Tuckett cyanotype (see above, left), toward a firm advocacy for a more compassionate proportion in future between what we can do for--as opposed to to--one another and the planet:

And They Made Tools
simple at first, a stick, a sharpened bone,
extensions of coarse fingers, rough ragged
from grubbing soil to get at starch tubers,
roots for the blood clan's sustenance, once mashed,
stone pounding fibre into flat pulp,
sweeter, easier to eat.
Walking the land, they learned by feel its skin,
discovered food from the earth-speak terrain.
They found river pebbles, half cracked, thonged them
stick fashion, granting more accurate aim.
Flaked flints, 'slicers', scraped clean small mammal hides,
destined to become medicine bags, clan
clothing for these nomadic gatherers
who captured prey in nettle woven nets,
traps sprung from tree limbs, from stick covered holes.
Survival their goal, uniformity
a surety, but new ways of doing,
living, becoming tool makers took hold.
They walked the land upright.
They lived in community.
They made tools.
And they survived.

Kaaren Whitney, 2009

Though the rebel do-it-yourself movement typified by the advent of 3D printing technology looks to recharge consumerism with a more personalized form of mass production, it is the current convention of hit marathon-length “slow TV” programming in Norway that makes for a better example of Kaaren’s themes in action. 
NRK broadcasting’s counter-intuitive utilization of video—the medium that’s done more to foment a culture of distraction and creative impatience than anything else in the last 70 years—is reacquainting stressed contemporary viewers with the frantic-less pace and dedication associated with traditionally absorbing pursuits, like knitting, fishing, fire stoking and even rail travel, all presented in real-time detail, much like the field-to-kitchen table experience evoked by Kaaren’s “Berries This Year”


Keep up with Kaaren and her work on Facebook here



Hosted by Frank Chambers and PoemAlley's Nick Miele, the Barnes & Noble's Open Mic Poetry program meets the second Monday of each month in the cookbook section on the main floor of the bookstore (located in the Stamford Down Center), beginning at 7:15 p.m.
  
For more information, contact:

Barnes & Noble
100 Greyrock Place Suite H009
Stamford, CT 06901

________

Additional Information:

 

The Case for Working with Your Hands, Or, Why Office Work Is Bad for Us and Fixing Things Feels Good
Matthew B. Crawford
Penguin Viking, 2011

Mark Frauenfelder
Portfolio, 2012

Carl Honore
HarperOne, 2005

The Global Heart Awakens: Humanity's Rite of Passage from the Love of Power to the Power of Love
Anodea Judith
Shift Books, 2013

The Great Turning: From Empire to Earth Community
David C. Korten
Berrett-Koehler Publishers, 2006

Toolmaker Koan (novel)
John C McLoughlin
Baen, 1987

The Craftsman
Richard Sennett
Yale University Press, 2009

Aug 8, 2013

UUSIS To Host PoemAlley's "Café Night: One-Night Stand for the Arts" This Saturday Evening

Revel in an authentic mix of live music and poetry, presented on the front steps of the Unitarian Universalist Society in Stamford!

Chris Belden
Open to all and free of charge, Café Night: One-Night Stand for the Arts represents a distinctly casual option from customary summertime entertainment, showcasing the live music of multi-instrumentalist Chris Cortigiano and screenwriter/novelist Chris Belden (2012’s Carry-On is his well-received second title; Songs About Anything and Camouflage are two albums of original songs). 

Regional poets Faith Vicinanza, Mar Walker, "Professor” Arturo Pfister and Linsey Morse provide engaging and varied spoken-word counterpoints.

Faith Vicinanza
Founder of Bethel’s popular Wednesday Night Poetry SeriesFaith has penned several collections, including Husband (2008) and In the Thick of It (1996), both from Hanover Press, her own Newtown-based publishing house.

Touching plays an elegant dual role, both in the tactile and emotional sense, in “Confession”, which is used as a case study of Faith’s creative methodology in this interview with Poetry Liner Notes’ Robin Elizabeth Sampson:

Confession

When I would lie jumbled across the length of you –
all that was lost between us a little more or less
each day, or pushed aside – always arching
over the not-lost, the not-pushed-aside –
I pretended not to lean to the curve of sorrow's belly,
your hand on my knee, your tongue in my mouth
and then we would stumble, or is it that I stumbled
and nothing ever changed, black always claiming
to be something paler, cherry blossom pink perhaps
or simple yellow. I do not miss holding myself apart,
a defense against your pointed intellect. Oh, but I miss
your wicked sense of humor. I don't miss wanting
something more, or thinking there was something
more to be wanted. I miss my head on your shoulder.
Please forgive me. For this, it is too late to make amends.
For the rest of everything that faltered between us,
I forgive us both.

Copyright 2008, Faith Vicinanza

Faith’s friend, poet/painter/songwriter Mar Walker was editor of the Bent Pin Quarterly from 2007-2009, which is archived here.

Mar took part in the 2011 National Poetry Slam in Cambridge, Massachusetts and is a member emeritus of the Shijin Poetry Troupe (Undone Poems by Shijin appeared in 2008 via Hanover). A devout agnostic, Mar considers matters of dogma and disbelief in her latest chapbook from 2011, Tabernacle of Bees. Enjoy this reading of “What Is”, originally written for PA's April 2012 Mysteries of Light presentation (also at the UUSIS), where Mar butts the evanescent trials of human pro-/regress against the abidance of Nature and time with a forthright, yet reassuring intimacy:


Besides producing several collections, Mar has placed individual pieces in Common Ground Review, Connecticut River Review and Fairfield Review, among other publications.

“Professor” Arturo Pfister embodies the humor, pathos and unique spice of the Big Easy in 
his collection My Name Is New Orleans: 40 Years of Poetry and Other Jazz (Margaret Media, 2009), as well as in this representative performance from 2007:

Learn more about Arturo and his storied hometown at his blog.

Linsey Jayne Morse
A former Poetry Editor on Mason’s Road, the Fairfield University online literary journal, and Founding Editor of Spry Literary Journal, Linsey Jayne Morse contributes her own brand of sympathetic, psychologically acute material to Café Night like the sample below:


Girls

learn at very young ages

that outer beauty is the water-
oasis in the desert they crave.

They are taught

to smile in plaster of Paris,
hypocrites behind closed doors.
They cut themselves in secret, starve
for passion.

Each young lady
feigning optimism
and poise, accepts her place
below male fantasies,

above the unsightly.
They learn to heave aside the weak, to shun the strong
and not to trust anyone,
in a world of facades,
mascara
and hair spray.

Copyright 2009, Linsey Morse
Funded through a CAPP grant from the City of Stamford, Café Night is co-sponsored by The Center for Sexual Assault Crisis Counseling and Education. Donations welcome.


Where:
UUSIS, 20 Forest Street (directly across from the Avon Theatre)

When:
6-8 PM, Saturday, August 10, 2013

Contact:
Nick Miele at 203-504-1027; nmiele@aircastle.com